It's that time of year again when many of the regional artists open their studio doors and invite the public to come in, have a look around, and perhaps even buy some original artwork. The venues range from home studios, to the shed in the garden, to one off small spaces amongst other small businesses. There are a few larger shared spaces where a number of artists will have working studios with an exhibition space included, a great way to see a range of work.
One such place is the
New Greenham Arts venue, part of the Corn Exchange, just south of Newbury in West Berkshire. In their rather spacious exhibition space they brought together one or two works by all the artists exhibiting in the
West Berkshire and North Hampshire 2012 Open Studios, a rather daunting feat. Its the traditional salon hang, trying to fit in a great deal of work in a somewhat logical and visually appealing manner, my congratulations to the organisers for what must have been a challenging exercise.
The work varies from the traditional to the decorative with just about every type of media on display. You can easily get visual overload in this type of exhibition so I have found I just focus in on what captures my eye. The textile works were the most intriguing for me, they challenged the perception of textile art with very painterly renderings of the stitched mark. The work I found myself returning to several times was that of
Gill Banks, using a limited colour palette her work captures an eroded surface with a beauty and depth that many of the paintings in the exhibition lacked.
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| Detail of work by Gill Banks |
Running alongside this group gallery exhibition is the actual Open Studios of Studio8, the 10 artists that have studios in the building. This is where it got really interesting, though there was still lots of formal 'displays' of the individual artists work, it was the aspect of seeing behind the scenes. Some of the spaces are quite small, jammed with paint pots or other paraphernalia of their particular medium. And here the less 'commercial' work or works that were just steps in the creative process, the 'stream of conscience' as studio artist Sally Haynes explained it, can be seen.